Publications

​Book Manuscript
Profaning Acts: The Drama of Religion on the Modern Stage (in progress)

Refereed Journal Articles
"Sounding the Gospel Play." PAJ: A Journal of Performance and Art 45, no. 2 (2023): 70–81.
“Staging Hurston's Heaven: Ethnographic Performance from the Pulpit to the Pews." Theatre Survey 63, no. 2 (2022): 1–22.
"Synecdoche's Obloquy: Beckett and the Performance of Indecency.” Journal of Beckett Studies 29, no. 2 (2020): 179–195.
“An Acquaintance with Religion: Pluralizing Knowledge in Gertrude Stein’s Doctor Faustus Lights the Lights.” Modern Drama 62, no. 3 (2019): 338–360.
“Impersonating the Law: The Dramaturgy of Legal Action in the York Corpus Christi Pageant and John Bale’s Three Laws.” Theatre Journal 68, no. 1 (2016): 37–56.
“Games with Ghosts in Müller’s Explosion of a Memory: A Study of Pre-Ideology in the Müller-Wilson Collaboration.” Theatre History Studies 28 (2008): 112–130.
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Edited Collections
Demilitarized Futurities: Reimagining Landscapes of War. Collection under contract with Anthem Press. With Darcie DeAngelo (University of Alberta), Joshua Reno (SUNY Binghamton), and Leah Zani.
“Modernism on the World Stage.” With Kevin Riordan (Yale–NUS) and Claire Warden (Loughborough University). Peer-reviewed essay collection for Modernism/modernity Print Plus platform (modernismmodernity.org). October 15, 2019. Includes co-written, peer-reviewed introduction.

​Book Chapters and Essays
“Religion.” The Cambridge Companion to Modernist Theatre. Ed. Brad Kent and David Kornhaber. Forthcoming.
“Big Hole: Excavating Intimate Histories of a Nuclear Homefront.” Critical Military Studies 7, no. 4 (2021): 450–454.

Reviews and Encyclopedia Entries
“Reforming the Chorus: Insurgent Collectivities in Hansberry’s Smug Bohemia.” Review of Lorraine Hansberry’s The Sign in Sidney Brustein’s Window. American Quarterly 75, no. 10 (2023). Forthcoming.
“Performance, Theater, Drama.” Year’s Work in Critical and Cultural Theory 28 (2020): 1–22.
“Performance, Theater, Drama.” Year’s Work in Critical and Cultural Theory 27 (2019): 303–323.
“Henry Bial, Playing God: The Bible on the Broadway Stage.” Modern Drama 59, no. 3 (2016): 380–382.
“Bertolt Brecht, ‘A Short Organum for the Theatre.’” In The Manifesto in Literature, 61–63. Detroit: St. James Press, 2013.

​Selected Public-Facing Essays
“No Space Like Home: Global Connections Bolster Local Artistry at Los Angeles’s REDCAT.” American Theatre 27, no. 5 (2010): 60–64. 
“More Work More Pleasure: Nature Theater of Oklahoma’s Game Plan Turns the Mundane into Marvels.” American Theatre 27, no. 2 (2010): 22–24.
Review of Susan Glaspell festival at Ontological-Hysteric Theater. American Theatre 27.2 (2010): 19. Profile of theater director Matthew Earnest. American Theatre 27, no. 5 (2010): 21.