Publications

 
​Book Manuscript
Profaning Religion on the Modern Stage (in progress)

Refereed Journal Articles
"Sounding the Gospel Play." PAJ: A Journal of Performance and Art 45, no. 2 (2023): 70–81.
“Staging Hurston's Heaven: Ethnographic Performance from the Pulpit to the Pews." Theatre Survey 63, no. 2 (2022): 1–22.
"Synecdoche's Obloquy: Beckett and the Performance of Indecency.” Journal of Beckett Studies 29, no. 2 (2020): 179–195.
“An Acquaintance with Religion: Pluralizing Knowledge in Gertrude Stein’s Doctor Faustus Lights the Lights.” Modern Drama 62, no. 3 (2019): 338–360.
“Impersonating the Law: The Dramaturgy of Legal Action in the York Corpus Christi Pageant and John Bale’s Three Laws.” Theatre Journal 68, no. 1 (2016): 37–56.
“Games with Ghosts in Müller’s Explosion of a Memory: A Study of Pre-Ideology in the Müller-Wilson Collaboration.” Theatre History Studies 28 (2008): 112–130.
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Edited Collections
Demilitarizing the Future. Collection under contract with Anthem Press. With Darcie DeAngelo (U Alberta), Joshua Reno (SUNY Binghamton), and Leah Zani. Forthcoming.
“Modernism on the World Stage.” With Kevin Riordan (Temple U Japan) and Claire Warden (Loughborough U). Peer-reviewed essay collection for Modernism/modernity Print Plus platform (modernismmodernity.org). October 15, 2019. Includes co-written, peer-reviewed introduction.

​Book Chapters and Essays
"Capital's Negative Revelation: Reappraising the Deus Ex Machina." Modern Language Notes. Commissioned for inclusion in a forum on Alisa Zhulina's Theater of Capital. Forthcoming.
“Religion.” The Cambridge Companion to Modernist Theatre. Ed. Brad Kent and David Kornhaber. Forthcoming.
“Big Hole: Excavating Intimate Histories of a Nuclear Homefront.” Critical Military Studies 7, no. 4 (2021): 450–454.

Reviews and Encyclopedia Entries
Review of Joseph Cermatori, Baroque Modernity. Modernism/modernity 31, no. 2 (2024): 384–386.
“Reforming the Chorus: Insurgent Collectivities in Hansberry’s Smug Bohemia.” Review of Lorraine Hansberry’s The Sign in Sidney Brustein’s Window. American Quarterly 75, no. 10 (2023): 859–874.
“Performance, Theater, Drama.” Year’s Work in Critical and Cultural Theory 28 (2020): 1–22.
“Performance, Theater, Drama.” Year’s Work in Critical and Cultural Theory 27 (2019): 303–323.
Review of Henry Bial, Playing God: The Bible on the Broadway Stage. Modern Drama 59, no. 3 (2016): 380–382.
“Bertolt Brecht, ‘A Short Organum for the Theatre.’” In The Manifesto in Literature, 61–63. Detroit: St. James Press, 2013.