Publications

​Book Manuscript
Profaning Acts: The Drama of Religion on the Modern Stage (in progress)

Refereed Journal Articles
“Staging Hurston's Heaven: Ethnographic Performance from the Pulpit to the Pews." Theatre Survey 63, no. 2 (2022): 1–22.
"Synecdoche's Obloquy: Beckett and the Performance of Indecency.” Journal of Beckett Studies 29, no. 2 (2020): 179–195.
“An Acquaintance with Religion: Pluralizing Knowledge in Gertrude Stein’s Doctor Faustus Lights the Lights.” Modern Drama 62, no. 3 (2019): 338–360.
“Introduction: Modernism on the World Stage.” With Kevin Riordan (Nanyang Technological University) and Claire Warden (Loughborough University). Modernism/modernity Print Plus platform (modernismmodernity.org). October 15, 2019.
“Impersonating the Law: The Dramaturgy of Legal Action in the York Corpus Christi Pageant and John Bale’s Three Laws.” Theatre Journal 68, no. 1 (2016): 37–56.
“Games with Ghosts in Müller’s Explosion of a Memory: A Study of Pre-Ideology in the Müller-Wilson Collaboration.” Theatre History Studies 28 (2008): 112–130.
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Edited Collection
“Modernism on the World Stage.” With Kevin Riordan and Claire Warden. Peer-reviewed essay collection for Modernism/modernity Print Plus platform (modernismmodernity.org). October 15, 2019.

​Book Chapters and Essays
“Religion.” The Cambridge Companion to Modernist Theatre. Ed. Brad Kent and David Kornhaber. Forthcoming.
“Big Hole: Excavating Intimate Histories of a Nuclear Homefront.” Critical Military Studies 7, no. 4 (2021): 450–454.

Reviews and Encyclopedia Entries
“Performance, Theater, Drama.” Year’s Work in Critical and Cultural Theory 28 (2020): 1–22.
“Performance, Theater, Drama.” Year’s Work in Critical and Cultural Theory 27 (2019): 303–323.
“Henry Bial, Playing God: The Bible on the Broadway Stage.” Modern Drama 59, no. 3 (2016): 380–382.
“Bertolt Brecht, ‘A Short Organum for the Theatre.’” In The Manifesto in Literature, 61–63. Detroit: St. James Press, 2013.

​Public-Facing Essays
“No Space Like Home: Global Connections Bolster Local Artistry at Los Angeles’s REDCAT.” American Theatre 27, no. 5 (2010): 60–64. 
“More Work More Pleasure: Nature Theater of Oklahoma’s Game Plan Turns the Mundane into Marvels.” American Theatre 27, no. 2 (2010): 22–24.
Review of Susan Glaspell festival at Ontological-Hysteric Theater. American Theatre 27.2 (2010): 19. Profile of theater director Matthew Earnest. American Theatre 27, no. 5 (2010): 21.